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Joel Sumner Smith

Product Manager @Gatsby focused on cloud native platform.
Analogical thinker in an analytical world.


Why Whitman might have read Walcott’s Omeros

The want for something finished completed and technically beautiful will certainly not be supplied by this writer, as it is by existing esthetic works. For the best poems both the old ones and later ones now accepted as first class are polished, rhymed regular, with all the elegance of fine conceits, carefully elaborated, showing under all the restraints of art, language and phrase chosen after very much has been rejected, and only the best admitted, and then all joined and cemented together, and finally presenting the beauty of some architectural temple—some palace, proudly rising in proportions of marble, entered from superb porticos and adorned with statuary satisfying the art sense and that of form, fulfilling beauty and inviting criticism. Not so his poetry. Its likeness is not the solid stately palace, nor the sculpture that adorns it, nor the paintings on its walls. Its analogy is the Ocean. Its verses are the liquid, billowy waves, ever rising and falling, perhaps sunny and smooth, perhaps wild with storm, always moving, always alike in their nature as rolling waves, but hardly any two exactly alike in size or measure (meter), never having the sense of something finished and fixed, always suggesting something beyond.”

With Walt Whitman in Camden
pp. 414-5

© 2021, Joel Sumner Smith